Showing posts with label Ro Murray. Show all posts
Showing posts with label Ro Murray. Show all posts

Sunday, 2 September 2012

Sculpture in the Gaol and Spring arriving

It has a been a busy few weeks!
Plenty on the agenda to see and do. As well as being super busy at work.
I recently had some time away which was so refreshing and such fun - the Sculpture in the Gaol competition at Trial Bay Gaol, South West Rocks, NSW.

It is a long way from Canberra (we flew and then drove!) but I would highly recommend the seaside town for a short break - it was spectacular scenery (from the Gaol on the peninsula, Arakoon National Park and the lighthouse at Smokey Bay) and the township was a comfortable, sentimental snapshot of the culture of Australia's coastal exodus come warmer weather - think Michael Gows' Away...

I was delighted to be invited as a judge in the competition, which attracted entries from interstate sculptors. My favourite things - art (specifically sculpture and even better, site responsive) and heritage sites. We stayed at a beautiful, historic guesthouse in the town, and I was able to take my little man as travel companion. We had such a great time; he was excellent company and never once complained of boredom. I treasured every moment with him, as he nears his teens and I am terrified of losing him to...I dont know what! High school, new friends, computer games, and his own little interior world. It was heaven to hang out, chat and laugh and plan things for the future!


  
The gaol site was spectacular, physically imposing and psychologically haunting  - it was very easy to contemplate the difficult conditions inmates and then prisoners of war, would have had to endure. The site was abonadoned to time, the elements and vandals until taken into care by the National Parks and Wildlife Service. What a great job they have done, restoring and interpreting the site with local archeologists and re-invienting it for the broader public with a public art project like Sculpture in the Gaol. 







 These were some of my favourites -  top, Waved by Greg Barnes and above Bufo Robusta by Gary Smith

  
Above, Reflections by Kylie Bowles and below my fellow judge Kate. She was so lovely and welcoming, but I was a big sook and let Kate do the opening speech all on her own...next time (if there is one), I will step up and share the spotlight! I will work on my fear of public speaking.


 It was reasonably easy to decide upon the winner: Chrysalid, below by Ro Murray.


It spoke to us through its resonance with the site, its optimistic tone and the way it felt like it was made just for the claustrophobic enclosure, with black iron gates and high walls. As all the cocoons swayed gently on the breeze, our eyes followed the bundles upwards - scaling the walls, and escaping through the exposed roof of the gaol...into the wide, open, brilliant blue sky. The themes of escape, transformation and renewed life outside the confines of the granite walls were difficult to ignore.

Elsewhere during the weekend, there was plenty of inspiration on bushwalks, seaside walks and around town. Spectacular colours, textures and patina.






  
Since that weekend, there have been inlkings of spring unfurling and happily, opportunities to be out amongst it! I am right in the midst of planning for my first ever brave botanics workshop in floristry - taking lots of time to "play" with flowers and brainstorm ideas. This is all research...







 I am fighting the feelings of dread and nerves, and focussing on being prepared and on all the reasons why people might enjoy my spin on flowers...unusual materials, quirky sculptural designs, and easy, achievable projects for flowers at home.
What could go wrong?

XNarelle













Sunday, 1 April 2012

the day after the night before...Material World from go to whoa

As previously mentioned, last night was the official (but casual!) opening of Material World, an exhibition that Martine Peters and I have been co-curating for a good few months now. Its full title was Material World - extraordinary environments made from ordinary things. Spectacular large scale art works, wonderful artists and a nice grass rootsy feel opening which ended with a candle lit gallery when we switched off the lights to observe Earth Hour. 
The artists were - 
Ampersand Duck
Tracey Deep
Mandy Gunn
Ruth Hingston
Ro Murray
Flossie Peitsch
Tony Steel
Fiona Veikkanen
 
This is pretty much a photo essay of the exhibition from go to whoa...


There was wine (thank you Casella Wines), there was cheese (Martine's cousin), there were candles (Malinda - Doobie Designs), chilled music (Tim's band) and we even got flowers, from the lovely Tracey Deep (gush...one of my floral design heroes)!

Here's how it unfolds...



 
 talk a bit...(Narelle and Tony)

 
 get up the ladder...down the ladder...repeat...(Caren aka Ampersand Duck)

 measure...(Tony, Martine and Tracey)

 prune to make room for art...(Ruth)

 
 document...(Tony)


 
 detail shots: Tony Steel, 'Terra Firma', mud, sticks and grass, wire, twine.

 
 detail shot: Ro Murray, Blue Gold II, poly water pipe, cable ties.

 
 gallery view 1

 gallery view 2


 
Mandy Gunn, Scroll, woven recycled paper, thread. 

 
 detail shot: as above.

 Tracey Deep, Eucalyptus. Eucalyptus branches.

Fiona Veikkanen, Sag Bag, reclaimed leather, foam, plastics, metal and rope.
 
 detail shot: as above


 detail shots: Flossie Peitsch, 'G' is for Gallery, found plastic letters

 Ampersand Duck, Shelf Life, altered vintage books.

 detail shot: as above
 

 Ruth Hingston, Cold Wash, Line Dry. Reclaimed packing and plastics.


invite a crowd....
 
switch off lights...
 

survey the damage!
What fun!
XNP

P.S Here's what I wrote in the intro of the mini catalogue...in case you have a longer attention span than just pictures...

"Developing Material World has been an engaging learning curve and an absolute pleasure.
When confronted with the prosaic and pristine physicality of the gallery space, each artist responded with their own highly sensory creation. Presented with the premise of environmental awareness and the challenge to work sustainably, the artists have seized the opportunity to remind us of the responsible use of energy and technology, the need to recycle, reuse, reforest and above all, to respect.

Tactile and curious, obscure and fanciful - these constructed environments are at once comfortable and peculiar. The use of familiar, found and repurposed materials draws us into their tableaux so that we, the audience become part of their ponderings. We do this by wandering through and around the installations, by casting our gaze upwards to the unattainable, by passing under the washing line and by participating in a virtual, collective commentary. 

We hope you enjoy exploring these extraordinary environments made from ordinary things."