Showing posts with label Sidney Nolan. Show all posts
Showing posts with label Sidney Nolan. Show all posts

Sunday, 5 August 2012

finally...

finally...reporting back on the wonderful trip to Alice Springs for the Beanie Festival, and other happenings around here since then.

I dont know where the time went.

Way back in June a colleague and I were lucky enough to travel up to the Beanie Festival, which was such a great trip - I had never been to Alice Springs. My hope before the trip was that I would be impressed by the difference in the landscape - I really wanted the desert colours to blow me away, and I certainly wasn't disapppointed.

There was big sky, red earth, fascinating flora, a funky cafe, loads of crafty stuff, a freezing breeze every day, the most eye popping indigenous art everywhere and...beanies...

So as not to repeat myself (being a work trip I have already written two reports and made a power point presentation) I direct you to this blog for The Great Gallery Garden (in September at the Arts Centre) where I have gone into a bit more detail and provided links.

I will share some of my favourite pics here though - 






















Just a few favourites!

We had such fun. Rhonda was a great travelling companion and we met lots of lovely people. We attended several workshops over the duration of the Beanie Festival, visited the Olive Pink Botanic Gardens, Standley Chasm, Tangentyere Artists co-op and paid a studio visit to one of our upcoming exhibitors, Sarah Brown (more about her later). 

I bought some art (still at the framers!) and rather a few felted, crocheted flower brooches by Alice Springs local Donovan Hannis (examples above). 

I missed the boys, but I think I could've stayed another week. And I have been wishing I was back there. Since Alice, I've also been to Sydney (Bienale and a reunion in Balmain) and over to the coast for school hols. Next up, Rhys and I travel up to Sculpture in the Gaol at Trial Bay historic gaol, South West Rocks. More about that later too, because I'm a judge! How cool - some of my favourite things together - sculpture, heritage buildings, coast!

We have been hurtling head-long into the new school term, things have been crazy busy working towards the Great Gallery Garden, and there is a very sweet surprise in store for me at work next year. Announcement in the pipelines...just around the corner...not far off...but I'm smiling already!

Today we mosey-d around and had late breakky before catching the abstraction show Word of Mouth: Encounters with Abstract Art at CMAG , Bryn started on his own abstract piece as soon as we got home! Inspired!!! We also took in our favourite Nolan works (Ned Kelly series from 1946) as well as a cool little collection of typewriters from all vintages, courtesy of collector Robert Messenger. The boys had a ball clunking away on manual machines, and it made me smile and think of mum - as a typing teacher she tried for many, many years to teach my brother and I to type - it was always the last thing we wanted to spend our time doing in the holidays!

Ni night
xNarelle




Wednesday, 29 February 2012

Kitchen gardens and the injustices of taking art away from the suburban extremities.

Something happened when we got home from our lovely holiday. We went back to work and the kids had school, and there was tennis, music practice, more work, lots of rain, the boys got sick and I got tired. Possibly reality hit us with a large, blunt object. I think we're all good now.



The best remedy seemed to be to grab a camera, and grab a child (the one who has his own camera) and to head out and about. Somewhere with coffee and cake, mountains, flowers, trees, tumble down buildings and a comforting familiarity to it!  We ended up at Lanyon Homestead, a regular haunt and indulged in some afternoon tea before a browse around the gardens. I know I have blogged it before, but I love the place - its position beside the Murrumbidge River, looking up to the Brindabella ranges and its very loud echoes of a bygone era. I love its garden, its house museum and the interesting collection preserved within and without!

We ambled around the garden, and it is looking in great shape. Beautiful perennials (which I learnt once were as near as possible to the original plantings, although not entirely sure of this) and a really healthy looking veggie patch. It is a decent size, and services the cafe menu so you are assured of something seasonal, fresh and very local!  Coloured silverbeet, looking so big and strong. Some serious herbs - not your spindly, fine stemmed ones but vigorous, thick clumps of basil, thyme, parsely, chives and probably more but by this point I was going into overload! Artichokes! Marigolds! Beans! Blackberries and Raspberries!




I got so distracted by everything happening in the veggie patch that I forgot to snap all my usual subjects  - old windows, doors, rooflines and such!

I did get some flowers and some unusual textures....



These following ones were by my little side kick...excellent, I would say!





All that wholesomeness (including the chocolate fudge cake Bryn ate) got me thinking about kitchen gardens at cafes, and more specifically at cafes at art galleries or museums. I thought of a couple but I'm sure there are more (my friend Lou would know if she was reading!)  
cafe vue at Heide, out of Melbourne  
and the cafe at the Lewers Gallery (Penrith Regional Galleries), western Sydney
These places nearly make my head spin and my heart leap out, because they have ART, HERITAGE, FOOD and GARDENS.

Oh that's right...Lanyon used to have all that too, back in the good ol days when the Nolan collection was housed in...the...Nolan Gallery, in the grounds at Lanyon Homestead. 
Here's where the injustice comes in, and I get really frustrated, because the gallery used to house several collections of Sidney Nolan works, some of them specifically gifted by Sir Nolan himself with the express condition that they be exhibited on the Lanyon Homestead precinct. There's debate and conjecture from opposing factions (Lady Nolan vs. Commonwealth gov), but as far as I can tell (please correct me if anyone has insider knowledge and I'm wrong) the collection was moved after "some" storm damage to the building which placed the important works in danger. Fair enough, move them to dry ground temporarily whilst refurbishing the building. Instead they were moved permanantly into locations in Canberra CBD, where authorities gloat that a broader and larger audience is able to appreciate them.

That's so unfair! It really was a huge cultural asset to have in the southern suburbs of Canberra - an interesting, significant and engaging collection where there is not a heck of a lot of other art. I'm sure more visitors eye ball the works in their current positions at the National Gallery of Australia and Canberra Museum and Gallery, but I'm also sure that more could've been made of their original, ethical home. I dont know the stats on the Nolan Gallery visitor numbers, or the cost of keeping it open, or of refurbising it to be a stable place for art works, but I dislike how swiflty and smoothly something of great value can be removed and never returned. I wonder if more time, energy and of course money could have been spent on promoting the gallery, and on attracting visitors and I suspect punters would still travel (30 minutes) from town to see an important collection.


Anyways...just a few days after our jaunt I read something interesting in the local paper....



oops...not that one (that's shameless self promotion)...it was this - an article entitled Jewel in Canberra's crown


 Not only does it picture the fabulous gardener, Alison McLeod, but it discusses ways in which the site can be opened up for more community use. It comments on the number of visitors, and the Arts Ministers' hope that local artists would be encouraged and inspired by the space, in the same way Sidney Nolan was. They are trialling an artist-in-residence program in the "Sidney Nolan Building" (read - gallery with the art works taken out of it). I love the idea of that, but I love the idea of having the Nolan works there too, for an even greater, deeper sense of place, relevance and history. So I guess I'll be responding to the call out for comments and input...